The reason Arrival pulled me into the theater was the inherently pro-life message of the movie. By learning the alien language, Louise (Adams), re-wires her brain, and it allows her to see the future. In this future, she can see that someday she will have a daughter, but she will also bury her daughter before it's time.
Knowing this, she willingly becomes pregnant anyway.
I've been thinking about this concept, that learning a different language can re-wire a person's brain. What a great way to understand the behavior of the cultural left. It's not an unborn baby! It's a clump of cells!
Also, masculine behavior, like being strong and protective, is interpreted as "toxic." It would explain why an Amanda Marcotte could maintain adult relationships yet still seem totally unhinged. We are witnessing a hybridization.
The legacy media is hyping the mix-up of the Best Picture announcement. The presenters announced La-La Land, by mistake. Like anyone cares or was still watching at that point. They may have averted a racial crisis, however. Black Twitter is extremely pleased that the white movie lost to the black one.
Let's be clear, and vouch that Moonlight, isn't a black movie, it's a sodomite movie. Calling it a black movie is like calling Brokeback Mountain a cowboy movie. But if you watched the trailer for this movie, you might not know that part. The depictions of faggotry are missing. This is a movie that belongs at Landmark Cinema, or whoever presents art-house movies in your area. The images of grown black men kissing each other are not in the trailer. They realized that would be repulsive to movie-goers.
And this movie is going to go wide? These people are speaking a different language.
But you've got to appreciate the headline at Variety, Oscars: With Historic Moonlight Win, the Academy Embraces Empathy Over Escapism.
No, they're pushing the idea that this evolutionary dead end is fashionable.
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